The Islands by Carlos Gamerro

The Islands by Carlos Gamerro is narrated by a Falklands/Malvinas war veteran with a piece of shrapnel fused into his skull. He literally cannot get the war out of his head. Because the war is there all the time in his head Felipe spends a good deal of time trying to get out of his head. This book is full of drugs. It is also full of cruelty, sex and pain. The characters are all broken or damaged in one way or another, either by the war or by the military regime that started it. A  narrative that begins as a kind of murder mystery quickly disintegrates into something a lot more interesting.

Imagine if you will a kind of literary kaleidoscope. Smash up the writings of Haruki Murakami, Borges and Denis Johnson. Add a dash of Michael Herr’s Dispatches. Pour the fragments into your kaleidoscope and put it to your eye. Start to twist the tube and watch the coloured patterns form, shift and reform into a different shape. Keep turning. This gives an approximate idea of what it feels like to read this astonishing novel.

Waves of cyberpunk, sci-fi and magical realism crash against the rocks of state torture and almost journalistic descriptions of war. There is a lot in the novel and it is hard to cram everything into a short review but if I tell you this book transformed the way I think and feel about the Falklands conflict it would be no exaggeration. The Argentine troops were mostly conscripted. A lottery. A knock on the door and all of a sudden you are part of the mad scheme of a dictator. Next thing you know the General Belgrano has been sunk with the loss of 323 lives. Shortly after 2 Para arrive:

“They come at the open mouths of the foxholes from the sides and the back, not caring which, and stick the barrels of their rifles and machine guns right inside to make sure they don’t miss, then drop a phosphorus grenade in to make sure and step aside to dodge the white flash, then move on to the next position to repeat the procedure, methodically, like weeding a field. You might have wanted to surrender, but they aren’t asking questions.”

The description above concerns the battle of Mount Longdon. Much of the novel is factually accurate including the ill treatment of the conscripted soldiers by their own officers.

“Our own officers were our greatest enemies”, says Ernesto Alonso, the president of CECIM, a veterans group founded by Rodolfo Carrizo and former conscripts of the 7th Regiment. “They supplied themselves with whiskey from the pubs, but they weren’t prepared for war. They disappeared when things got serious.”

What this novel made clear to me was how the abuse of power creates traumas that can never fully heal. A dictator abuses his people with torture. He decides to start a mad war. It is his people who suffer once again. We could be talking about Saddam, Hitler or any other dictator – it is the people who suffer. 

So there we go, a demented novel that somehow makes a powerful point with great clarity. It isn’t often that I feel a novel really affects the way I look at things. In this case it did. I urge you to find and read a copy of this important novel, a book that took 14 years to be translated into English, despite the fact we are so caught up with what it has to say.

You can obtain a copy here…

 

Serious Nonfiction in the Digital Age

There is an interesting article here about Robert Caro’s latest volume of his massive biography of LBJ – Passage of Power. 

We had a customer at C & P who was working his way through the series. As I remember we had to import most of them from the US as they were out of print here – hardly an endorsement of the “good old” publishing world we are leaving. More interesting to note the fact that the books are not available as e-books either. How is one supposed to get in on the ride when it is so hard to get hold of the previous volumes? My experience of using e-readers so far is that large books are the ones I want to read on a device. I can dip in and out when I have time. Incredible how much reading you can get though that way. In the past I would leave a large book at home and there I would be, with half an hour to kill waiting for a train and my huge book somewhere else.

Certain other things caught my attention.

So when digital evangelists prognosticate about the future of publishing, as they love to do, and about what “needs” to go away, serious nonfiction is now one of the first things I think about. Maybe it’s because I’m getting older and want to read more of it and notice twentysomethings have little perceived patience for weighty tomes.

The suggestion is that serious nonfiction does not fit into the new digital models that are emerging, that these books will cease to be produced.

I feel far more positive about these kinds of book. We are dealing with a niche here and as Weinman says this is not really about money, more about the fact that these books are culturally important. I think the digital landscape embraces niches. Groups of like minded people finding each other and interacting is one of the best things about the Internet. Surely an author setting out to write such a “serious” book could do so under the publishing conditions that are emerging? Gradually build up a following, keep potential readers hooked with nuggets released from research, crowd fund the project and then publish when there was the money to do so? Rather than the author toiling away for years, contacting the publisher from time to time and having lunch etc the whole process would be more open, interactive and dare I suggest it – FUN!

That a serious book would be produced at the end, or even a series of books – well why not? I don’t think the Internet is going to kill serious books. But like many other areas of publishing it will be disrupted so much that future production of serious nonfiction will happen in a way that is very different from what we see today. That’s not a bad thing, it’s just a change…

Why bother?

I like the Guardian. I read it on a pretty regular basis. But even on a Sunday, when most brains are at their most relaxed and resistant to strain, I object to pointless lists such as this one titled The 10 best historical novels. There is just no point in such a list. As soon as it is posted the comments begin “Oh, you should have put this in, oh, isn’t this all very white?” etc. Everyone has their opinion about historical fiction. Some will prefer Bernhard Cornwell, others Victor Hugo (neither on the list incidentally!)

If you are going to write a list – and I have to say I find this constant list making tedious in the extreme – with a title above it that claims to be the 10 best of something then at least give it a proper shot. Spend a bit of time and energy on it. Think about it.

Could a list of 10 best historical novels ignore Primo Levi’s If Not Now When, Victor Hugo’s Les Miserables and Norman Mailer’s The Naked and the Dead? Could it have six out of ten books on the list written after 1990? No it could not…

This is a thoughtless, pointless list that has no sense of history itself. Why bother?

 

Cycling through Clouds of Bugs…

Plenty of rain followed by some warm sunshine meant I was desperate to get out on my bike. Trouble is the insect kingdom had decided it was a good day for a bit of outdoor recreational activity as well. We’ve all seen the insect carnage a windscreen causes on a warm day; smears of gut, tiny black legs – those little click-taps of extinguished life that accompany our progress along the motorway.

Well I don’t have a single windscreen I have two small ones. My forehead is quite large and when I go fast my hair tends to stick up. The result of these factors is that as I speed along insects bash into my glasses, roll stunned up my forehead and come to rest in the tangled mess that clings, resilient, to my scalp. If I’m really lucky I remember to keep my mouth closed. But usually I inhale some extra protein crunch along with the clean coastal air. At my destination I am crawling with bugs. Whilst cars go fast and kill, bikes are slower and merely disorientate. The bugs stagger around my T-shirt buzzing, crawling, waving feelers and trying to surrender. Hours later I will discover a wing or splinter of carapace lodged between my teeth…

 

Leaving the Atocha Station by Ben Lerner

I wasn’t capable of fetching coffee in this country, let alone understanding its civil war. I hadn’t even seen the Alhambra. I was a violent, bipolar, compulsive liar. I was a real American. I was never going to flatten space or shatter it. I hadn’t seen The Passenger, a movie in which I starred. I was a pothead, maybe an alcoholic. When history came alive, I was sleeping at the Ritz.

Ben Lerner takes the familiar scenario of the young American writer in Europe during a time of political crisis and manages to navigate through the cliches to produce a novel that is funny, intelligent – perhaps even authentic…

The alienated experience of the American abroad, the distance created by the language barrier, an ancient culture,  unfamiliar politics, sex, drink, drugs  (YAWN!) is extended by Adam, the chief protagonist of the novel, through extensive  interaction with designer prescription medicines and the Internet.

When we first meet Adam he describes a daily routine that involves standing in front of the same picture in a gallery every day in search of a profound experience of art. This is something alien to Adam who struggles to feel anything through his self-medicated haze.

Only connect urged EM Forster in the famous  epithet to Howard’s End. This is impossible for Adam. He is disconnected from everything and everyone, especially those with whom he is intimate.

When a bomb goes off at Atocha station and Adam finds himself in the midst of what they call a scene of mayhem he rushes home to experience the real through the familiar filter of live streaming coverage. Reading about the bombing online – The article described the helicopters I could hear above me. 

The book is littered with experiences of the real interrupted by the banalities of  our digital infrastructure.

While Spain was voting, I was checking my e-mail.

I never attended, but I skimmed the e-mails.

why hadn’t I ever Googled her before?

As a poet Adam feels he is a complete fraud since he is intensely aware of the failure of literature or art to do anything but reflect reality – the complete practical uselessness of it. Attending an art exhibition at a gallery where the paintings are all covered with black felt as a response to the Madrid bombings he observes that people look at the covered paintings in the same way as they look at uncovered ones – still searching for a profound experience of art.

We didn’t know any working people muses Adam as he attends another party full of beautiful literati.

Through the broken lens of his central character Ben Lerner forces us to face up to a world where everything, even political violence and protest, has become a commodified part of the spectacle.

from a world of Tweets that bring us the banality of a stranger’s breakfast one moment followed seconds later by the camera-phonic intimacy of a young girl’s death during a street protest in Iran  that snatches semi-random dispatches from a historical point when every puddle in the rain is in fact a broken mirror presenting on demand the required metaphoric reflections with a single click and an utter absence of embarrassment before asking if we’d like to buy something that might assist us in constructing the appearance of having a nice day

Or to put it another way – from the depths of an anus of interlinked post-modern self-references  Lerner has produced a hilarious slice of word-art that somehow – miraculously – manages not to stink!

(Down to earth translation of the above – I loved it!)

 

Reading, my wife, her kindle and the classics…

In 2007 I got upset about Weidenfeld & Nicholson’s plans to mess with the classics.

My argument was fundamentally that “classic” books have stood the test of time for a reason. But I always found selling the classics to be hard work. Were bad experiences at school to blame or was it simply a cultural attitude encapsulated by W & N’s idea to edit the classics – that these works were difficult?

Recently my wife downloaded The Complete Works of Jane Austen for about 77p and is motoring through them at the rate of a book every few days. If you look around this blog you will see that since purchasing a kindle I have now read War & Peace. Was it hard to read? Difficult? No it was not. It was long – but that’s another matter.

Is there any measurable way to see if the availability of cheap/free classics as e-books has boosted consumption of the classics? Are there any stats out there? I would love to know. My own experience is that I and those close to me are reading a lot more classic literature than before.

The Angel and the Cuckoo by Gerald Kersh

Opening with Poppy’s Ballad of Marty Tabram, an unfortunate victim of Jack the Ripper, Kersh gets right down to business. The ballad is bawdy, hilarious, cockney and brutal. Here are some highlights:

He bent her down acrost his knee
So hard it made her back sore,
And turned his cuffs back bold and free
With a tiddly-on-pom, 1 2 3
And he cut orf her legs with a hacksaw.

Oh if he’d had it all his way
No more would have been heard of her,
He squashed her like a brewer’s dray
With a right-fol-lol tiddy-bom-di-ay
The dirty rotten murderer!

And, desperate as was that strife
She was game as the Duke o’York’s crew
That dirty rotter had her life
With a 20 bladed pocket knife
Like they sell complete with a corkscrew

And a handy little buttonhook
And a thing for opening tins with,
So it fairly gave you the sick to look
For some parts he left
But others he took,
Including the Parts a gal sins with.

Poppy is the waitress in a cafe run by Steve Zobrany. I have not managed to ascertain whether the ballad was written by Kersh or if it might be an actual song he overheard. What is certain is that the kind of linguistic play it depends on feels very Kersh. This is an extraordinary novel by a man who lived a life best described as eccentric.

All great literature relies on two things – character and language. Kersh is a master of both. All the characters in this book, Perp, Tom Henceforth, Zobrany, Poppy, Geza, Alma – the very names have that Dickensian way of giving you an insight into their souls – feel brilliantly real and speak with a cosmopolitan cacophony of voices picked like cigarette butts from the London gutter.

Kersh’s big success was Night and the City – later filmed as a fine Film Noir. If you watch this trailer of Night and the City you will see that the final scenes were shot in Hammersmith by the bridge.

Much of my misspent youth took place down by the river in Hammersmith. My psyche is haunted by the voices of the streets of London and reading Kersh is like sitting beside the river, or on a bus, or in a pub and listening to the desperate, insistent murmuring of Londoners getting on with the messy business of survival.

This is the kind of book that engages you in conversation whilst picking your pocket – disreputable, charming, untrustworthy and impossible to resist. It walks off chuckling, saying it’s off to the bog then never comes back. You reach for your wallet only to discover it gone. Do you yell for the police? No, you shrug, smile and turn to the bloke next to you at the bar. If you have the wit and the bottle you’ll make him buy you a drink or two before closing time…

Deborah Levy – Swimming Home (edited 10 May to add link to interview)

Recently I’ve been suffering from a disease that will be familiar to most readers – post classic blues. In other words War and Peace is a hard act to follow. Whatever I picked up or considered as a next read seemed puny and insignificant. My scorn for what I began to sneeringly think of as contemptible fiction (rather than contemporary) swelled like a puss-filled boil until eventually, to my extreme relief, Deborah Levy burst it with Swimming Home.

The novel is published by And Other Stories Publishing - a new and exciting not for profit publisher dedicated to ensuring excellent books find readers in a heartless and increasingly risk averse commercial publishing environment. So far everything I have read on the list has been extraordinary. You can become a subscriber here and I urge you to do so. The benefits of membership extend far beyond the four books a year delivered to your door – you can get involved and actively help choose what they publish next.

Anyway, as the late night DJs say, let’s get back to the records…

Swimming Home revolves around a black dog black hole. At first we think this is Kitty Finch found naked in the swimming pool in the holiday villa hired by a famous poet, his war-correspondent wife, their beautiful teenage daughter and their two Kings Cross shop-owning friends. Kitty’s fragile “I stopped taking my pills” demeanour is simultaneously attractive and dangerous. Yet nothing in this surprising narrative can be judged according to the displayed surface.

The book is prefaced by a quote from La Revolution surrealiste:

“Each morning in every family, men, women and children, if they have nothing better to do, tell each other their dreams. We are at the mercy of the dream and  we owe it to ourselves to submit its power to the waking state.”

Dreams and novels share many things. I don’t want to get bogged down in that now, neither do I want to talk about “dreamlike prose” or make any of the other worn out comments I could about dreams and fictional narratives – what should be made clear is that the experience of reading Swimming Home is more dreamlike than usual.

This quality is constantly expressed in Levy’s prose:

“The young woman was a window waiting to be climbed through.”

Descriptive images that appear to describe one thing actually reveal something else – a related quality perhaps but not what was expected. The effect is one of dislocation and confusion that does not muddle the reader – rather the writing forces further focus, closer reading and therefore intense engagement. Indeed it is hard to put the book down.  Since it is relatively short I would recommend reading it in one sitting. Hours will pass. You will forget to eat. When you finish the novel there will be shock – the snap-back to attention of the floppy-headed evening commuter. Ah. Here I am. Here. The waking world has returned, familiar and yet subtly changed. It is impossible to say nothing happened while you were sleeping/reading.

The dark heart of the book is expressed with self-inflicted violence. Comforting her teenage daughter the war correspondant mother echoes the nihilistic lyrics of Nirvana’s Kurt Cobain:

“Never mind, never mind.”

The girl had built a shrine to Cobain when he killed himself and now, unconsciously, her mother soothes her with words that echo his refrain from Smells Like Teen Spirit – “Oh well, whatever never mind.”

Thus the book weaves reality into the artificial – blurring, unsettling, wonderful stuff…

10 May Edit:

I just watched a video with Deborah Levy on French TV (in English) 

Levy kicks in at 8.10 though the interview with Jean-Marc Barr about his new film Sexual Chronicles of a French Family is also great! (He quotes Mark Twain – “The French are the missing link between man and ape”) Deborah Levy is amazing though. Incredible to hear about where she found the inspiration for Kitty Finch. Some very interesting discussion about fragility – “Fragile people…are very powerful” Great stuff. Made me want to spread the word about this incredible book even more.

Pebble Island by Jon McNaught

Pebble Island is a great little graphic novel from Jon McNaught, published by

NOBROW PRESS

I’ve never reviewed a graphic novel before. I thought I would make it a visual review.

Cycling through Cloud

On each tiny pane of glass before my eyes droplets collect. The streaming air forms them into shining ranks – a film across my sight that dilutes detail until I begin to wonder if I would see more through my own stigmatic blur. Clinging to each hair of my bare arm is a tiny silver bauble. My skin is rubbed pink by this sea-fog loofah that isolates and suffocates and dissolves all clarity. I ride on and on into the white, into the haze, into the future.